No “r” in morning=mohneeng Ita desíderat ánima méa ad te, Déus. Title: Ride in the Chariot
Should you discover any errata in the music that may have been missed, please notify the TMEA Vocal Division Vice-President by August 30. Composer: David Conte
Conductor's Rehearsal notes:
m. 17-21 Observe non-breath markings / stagger breathe as needed 2&, A1 catch breath on bt. Restrict the selection to a smaller subset before exporting. (When the judge comes) The sopranos will be assessed on the following, but not limited to: knowledge of part including pitch and rhythm, vocal technique and overall musicianship. m. 22 Downbeat: Goal of the phrase. Wie lieblich sind deine Wohnungen, Herr Zebaoth! m. 66 & m. 70 Sing FULL measure (this is a change from the score, approved by the composer) Catalog No: 50486753
Bass Db 2 will be considered optional during auditions. Conductor's Rehearsal notes:
Tunk ɑtʃɛptɑbis sɑkrifitʃium justitiɛ Sicut cérvus desíderat at fóntes aquárum: m. 52- T & B, “p” of deep on beat 3 M. 100-102 - All Altos will take third treble staff from the top...for now. Conductor's Rehearsal notes:
M. 33; big choir releases on big beat two (TI and TII will need to cross off eighth rest and add a dot to their notes). M. 70-71 - Small notes will be addressed by Region and All-State Clinicians. SI: Bb3-Ab5; SII: G3-G5; AI: G3-Eb5; AII: G3-Bb4; TI: C3-G4; TII: C3-G4; BI: Ab2-D4; BII: Eb2-D4, Conductor's Rehearsal notes:
Solo group cross off dot and breathe on last eighth note. Email: uilregion4@gmail.com. M. 48; NB Notes to come at a later date. Voice Ranges:
Still looking for the SSAA arrangement of You Do Not Walk Alone. m. 58; release on rest Tunc acceptabis sacrificium justitiae, Vs. 1 No errata changes will be made … m. 7-10: peak at m.8, bt. Integrity Touring CoUnique Travels and Tours, Inc.Victory Music InstrumentsWenger CorporationWest Music CoWingert- Jones Publications. No measure numbers or page numbers, so everyone will need to add them in. Energize beginning long notes throughout the piece m. 16 Schwa on downbeat m. 31 “D” (pronounced T) on the last 8th of the measure for SA SI: C4 – A5; SII: A3 – D5; AI: G3 – D5; AII: F3 – D5. m. 162; release ‘t’ on quarter rest and ‘c’ on eighth rest Et in saecula saeculorum. HINT: The stressed syllable or most important word/syllable of the phrase usually has a longer note value. M. 76, phrase starts at mf+ This piece will be auditioned at the first round. M. 97: breathe at rest (BI will cross off dot and breathe along with upper two parts) Composer Elaine Hagenberg will also play this piece for 2021 Texas All-State Treble Choir. W. Damrosch for wind ensemble)", "Molly on the Shore" and more. University of Texas Arlington Wind Symphony, Douglas Stotter. Here is a recording: M. 47; TI, TII, BII; cross off dot and breathe; BI sustain m. 43; release ‘f’ on rest m. 16, BI and II release on rest m. 17 Use schwa between “one” and “shade” Sequences should build in dynamic. Updated (6/24/2020): word on page 13, m. 52-53 should be "linden" not "linde. The All-State clinician/conductor rehearsal notes will be posted here when available. Und sehnet sich nach den Vorhöfen des Herrn; -eighth note theme- lighter, shorter M. 79; NB The sightreading audition shall be 20% of the total score. m. 23; release ‘s’ on rest m. 18, put the “d” of bed on beat 1 S: Eb4 - Eb5; A: Eb4 - Eb5; T: Eb3 - Gb4; B: C3 - Cb4. Dies irae, dies illa m. 20-24 (start at mp+): peak at m. 23, bt. SI: D4 – G5; SII: D4 – F#5; AI & AII: G#3 – D5, Conductor's Rehearsal notes:
m. 10 and 11 cresc. Voicing: SSAA
Download and buy printable sheet music online at JW Pepper. The IPA is provided below for those lines. UIL. m. 50; release ‘z’ on rest Conductor's Rehearsal notes:
This piece will be auditioned at the first round. M. 9; TI and TII, cross off dot and breathe; BI and BII; release on rest Marking your score "a" of alone should be on beat 2. 3 M. 71; all sustain Conductor's Rehearsal notes:
m. 180; ‘n’ on beat two; space after ‘sing’ (remove dot) For the Area Audition, each director must notify the Area Coordinator which part their soprano will sing during the audition. m. 123- “die loben dich immerdar”- half note/quarter note theme- strong, marcato, weight on the first part of the beat Region and Area contests that lead to All-State will use this music. GO TO ALL STATE CAMP!! Brooklyn, New York, United States About Blog The leading metal news, metal music video and metal tour date source on the internet. Suggested pronunciation of specific words below are to minimize the use of diphthongs for ensemble unification: Publisher: Walton
SI & II: D4 – Ab5; AI & II: Bb3 – Eb5; TI & II: Db3 – Ab4; BI & II: G2 – Eb4, Instructions/Errata:
Voice Ranges:
Ending “er”+“uh” M. 46; NB Below are links to the official listing of the Band Division All-State audition material. Instructions/Errata:
(Then you will accept a just sacrifice,) (As testified by David and Sibyl) Mark’s StudioDragonfly Wellness and Essential OilsDrum Corps InternationalEastman Music CompanyElements Music ExperienceExcelcia Music PublishingExcelcia Music PublishingFaber MusicFishburn Violin ShopFLASH Visual MediaForrests MusicFoundation for the Advancement of String EducationFred J Miller, Inc.Fruhauf UniformsFund-Team.comGIA Publications, Inc.GPG MusicGreen Light Group ToursHal LeonardHenkaaHinge StixHoughton HornsHowarth of LondonInnovative Scholar SolutionsInternational Trumpet GuildJ.W. M. 99; small tenuto as marked (not much at all); add in eighth rest and breathe at end of the bar M. 50; NB M. 67-68. (My soul longs) Updated: 6/17/2020 Stream songs including "The Star Spangled Banner (arr. Vocal. 3106 Fairway Oaks. Renew/Update Information. M. 84, A1 catch breath after bt. m. 11-12: (start at mp): peak at m. 12, bt. Updated (7/30/2020): By Richard Blesch
M. 5; TI, TII, BII; cross off dot and breathe; BI sustain. and slightly flexible and faster tempo to m. 42, bt. Catalog No: G-8532
M. 47; breath at rest Voice Ranges:
PepperDance SophisticatesDeMoulin Brothers & CompanyDirector’s ChoiceDr. m. 38-41 Be patient with this section: use time to internalize the sound and tune carefully M. 160 - Bass line upper two notes will be a Bass I split. Areas E-H Bass II will take the LOWER NOTE OF THE SPLIT! 15, m. 85-87, Alto 2 in Areas A-D will take the bottom notes of the Alto 1 staff, then move back down to Alto 2 staff in m. 88. “N” on rest + breath Lord=lohd Composer Elaine Hagenberg will also play this piece for 2021 Texas All-State Tenor-Bass Choir, Conductor's Rehearsal notes:
M. 69 the S2 Voice Track sings a G# instead of an E on the “Shad-“ of “Shadows.” Please sing the E. Regions hold meetings in the fall, during the annual TMEA Clinic/Convention, and in … Audition Levels:
2 M. 15; small tenuto as marked (not much at all); add in eighth rest and breathe at end of the bar Publisher: Dean
line B5 is optional and should not be auditioned Sopranos breathe on bt. m. 20, release on rest m. 149; release ‘p’ on rest TMEA is divided into 33 Regions to carry out TMEA objectives at the local level, to guarantee representation on the State Board of Directors, and to provide opportunity for individual participation in TMEA activities. m. 88; release ‘s’ on rest M. 7; NB M. 30, S1/A3 catch breath after bt. 4 should be an E4. Download the convention schedule (as printed in the January issue of Southwestern Musician). m. 151; release ‘ng’ on rest m. 167; release ‘s’ on rest Bass II will take the lowest notes of the staff. m. 44 A, 1st note, quarter + rest m. 56 Unaccented downbeat. Tunc imponent super altare tuum vitulos. Take a quarter rest release after the punctuation in m. 16 and 40. m. 52 A, 1st note = quarter + rest m. 9 end with an 8th rest Band. M. 15: “s” on eighth note plus breath 4 m. 42; release ‘s’ on rest Conductor's Rehearsal notes:
m. 50; release on rest In lines 1-5 there are a number of words that may not be as familiar as some other Latin words. Parts will be balanced at TMEA, so it's likely some voices will have to learn the other part of the divisi. Instructions/Errata:
m. 174; release ‘s’ on quarter rest and ‘c’ on eighth rest; space after ‘sing’ (remove dot) to MF M. 91, ALL breath after the fermata All parts place the ‘c’ on the final eighth rest. m. 159, release ‘t’ on rest This piece will be auditioned and performed in German. m. 73; NB after ‘bring’ Voice Ranges:
Vs. 2 Voicing: TTBB
m.16 Downbeat: Goal of the phrase for SAB. Voicing: SSATB
(that the walls of Jerusalem may be rebuilt.) M. 37; carry through, no breath at the end of the bar W. Herrmann): I. Composer: Mozart
Voicing: SSAA
m. 97; release ‘d’ on rest m. 42 B, 1st note, half + rest m. 58 SA, end with an 8th rest 1 AND A2 on the & of 4 Tempo: Here are the breaths: M. 72, ALL catch breath after bt. TI: Bb2 - Ab4; T2: Bb2 - F4; BI: Ab2 - Eb4; BII: Ab2 - C4, Instructions/Errata:
m. 46 Roll the “R” on “Brow” No Errata at this time, Conductor's Rehearsal notes:
M. 28; NB M. 40, bt. (Day of wrath, that day) M. 43; rit as marked Cuncta stricte discussurus! Title: "Wie lieblich sind deine Wohnungen" Mov’t IV A German Requiem
This piece will be auditioned at the first round. 4:57. m. 166; release ‘s’ on rest and ‘c’ on eighth rest Phrase measures M. 40 Bass 2 part should probably follow the accompaniment and match m. 16. m. 21 Schwa on downbeat M. 81- 88 - All Altos will take third treble staff from the top. m. 34 TB, 2nd note, staccato M. 19, A2 catch breath after bt. Please observe all written dynamics, but remember dynamics are collectively sung! 3 M. 206-209 - Tenor I will split upper notes: Areas A-D Tenor I will take UPPER NOTE OF THE SPLIT. M. 45; cross off dot and breathe Wohl denen, die in deinem Hause wohnen, S/A/T- m. 8, quarter rest on beat 2 Way=weh Voicing: SATBB
m. 29-33 (start at mf-): peak at 32, bt. m. 175; release ‘s’ on rest m. 32 A, 3rd note = quarter + rest M. 31, S2/A1 catch breath after bt. Voice Ranges:
The Small School Choir will need approximately 3,000 packets. Oblationes et holocaustos. S: D4 -D5; A:G3 - G4; T: D3 - E4; B: G2 - C4, Conductor's Rehearsal notes:
m. 42 Soft “S” on downbeat and will always be. Translation: This is the official listing of the 2020–2021 Vocal Division All-State Audition Material. Please observe all printed dynamics and musical indications m. 72; release ‘l’ on rest 2018 Texas Music Educators Association (TMEA): All-State Mixed Choir [Live]. Voicing: TTBB
Good Luck Everyone!!!!!!! m. 24; TI, TII, BI release on rest 4&, sopranos The director of the performing organization or event shall be responsible for the compliance … (oblations and the burnt offerings,) Catalog No: 15/1820R
Voice Ranges:
Voicing: SATB
m. 29 Downbeat: Goal of the phrase for ATB. Vox Femina Los Angeles - Salut Printemps. m. 186; ‘z’ on beat two; ‘s’ on eithth rest Voice Ranges:
m. 68; release ‘m’ on rest by Texas All-State Women's Choir - Topic. 2 Eight rest release after the punctuation in the following measures: m. 6, 14, 18 after “me”, 22, 24, 30, 32, 38, 40, 42 (after “me), 72 for men after “me”, 79 before “the band”. S/A- m. 142-148- stagger breathe Audition Levels:
m. 33 “D” (pronounced T) on the last 8th of the measure for ST (then they will place bullocks upon your altar) Mark Melton. M. 111; breathe at eighth rest (BII will need to cross off dot and add eighth rest and breathe) Solo group cross off dot and breathe on last eighth note. The recording is our best reference for the piece in terms of sound and vocalism, please see below. Instructions/Errata:
M. 48, S1 on the & of 4 Composer: Elaine Hagenberg
Composer: Brandon Waddles
m. 49 Downbeat: Goal of the phrase for all. M. 36; NB TI: G3 - G4; TII: E3 - F4; BI: C3 - D4; BII: G2 - D4. Dynamics: M. 39; “s” on eighth rest plus breath While your space will always be visible, TMEA has dedicated time in the convention schedule for attendees to peruse the exhibits and interact with you. m. 7 Flip “R” on “starry” NB, m. 14 Update(6/11/2020): Tie is missing in bass 1 m. 50, Conductor's Rehearsal notes:
Composer: Stacey Gibbs
Voicing: SATB
Vic Firth presents Sherry Rubins performing the TMEA 2013 All-State timpani audition etude. Rebecca Morgan Baker (piano), Jennifer Wheeler (soprano) TMEA All-State Mixed Choir, Denise Eaton, André J. Thomas 3-end) are the Gloria Patri. Publisher: Carl Fischer
If there is only a mark in the soprano part, it applies to all 4 parts below it- please transfer in to your score. Publisher: Walton
Audition Levels:
SI: B3-Ab5; SII: B3-F5; A: Ab3-Db4; T: C3-Gb4; BI: Ab2-Db4; BII: G#2(yes, enharmonically the same as Ab2)-Db4. M. 45; breath Title: Now Let Me Fly
Additional markings: m. 5 m. 6 Energize long note; aim for the future Altos, release on 2 as written. Conductor will determine who will sing it for performances, Conductor's Rehearsal notes:
M. 1 freely within quarter=100 m. 184; ‘n’ on beat two; space after ‘sing’ (remove dot) Composer: Palestrina
1 Workin’=wuhkin. From m. 49-72, the practice track for tenors is incorrect. Audition Levels:
Please write in the poetic English translation, found on p. 11, under each phrase of French in the score. -breathe at commas in text Audition Levels:
Designated for Area Audition use and will also be auditioned at the second round. M. 4, A2 catch breath after bt. m. 108; release ‘th’ on rest B- m. 105- quarter rest after “Zebaoth” m. 32; release ‘s’ on rest Update (6/9/2020): M. 8, Sop. Three-part soprano split will be determined by Region Coordinators and TMEA Executive Board. m. 63; release ‘t’ on downbeat Audition Levels:
M. 73: Solo group cross off dot and breathe m. 29 2nd note, staccato Catalog No: WLG157
M. 38; NB Voice Ranges:
m. 14, S, make the dotted half a half note with quarter rest. ɔblɑtsiɔnɛs ɛt ɔlɔcɑ:ustɔs Buy download online. Breath marks: Tunk impɔnɛnt supɛr ɑltɑrɛ tuum vitulɔs Voicing: TTBB
Catalog No: AMP0045
m. 7 Use schwa between “and” and “starry” m. 57 Use schwa between “and” and “starry” Title: Threads of Joy
Die loben dich immerdar. m. 39-40, tenors breathe after “silence”- eighth rest. (What great fear there will be) M. 61; breathe at eighth rest Please observe all printed dynamics and musical indications S/A/T- m. 8, quarter rest on beat 2 B- m. 9, eighth rest before “Herr” SATB- m. 11, eighth rest before “Herr” All- m. 18- quarter rest beat 2 T- m. 30, quarter rest beat 2 B- m. 34-35, slight crescendo over the bar S/A/B- m. 40, quarter rest beat 2 T- m. 41, quarter rest beat 2 Quando iudex est venturus m. 26, NB to MP+ M. 37-40, altos stagger breathe dune, m. 7 Voicing: SATB
Vs. 3 Instructions/Errata:
m. 1-21- “Allegro” is quarter = 110 BI make beat one an eighth note, eighth rest and breathe … M. 25; breath m.26 “D” (pronounced T) on the last 8th of the measure for AB SATB- m. 11, eighth rest before “Herr” Mm 37-42; stagger, no group breaths Use stagger breathing as necessary m. 39 end with an 8th rest Areas A-D Bass I will take UPPER NOTES OF THE SPLIT. m. 44 Use schwa between “on” and “that” Sightreading may be used at any level of audition but is mandatory at high school Pre-Area and Area auditions. Catalog No: 50319340
https://www.giamusic.com/store/resource/ride-in-the-chariot-print-g8532. Start MP Please copy the poetic translation into your score. M. 16; NB The Tennessee Music Education Association was officially formed in 1945 as a voluntary, non-profit organization representing all phases of music education at all school levels. m. 13 Deciso! The score has the arrows on the Alto 2 line. Composer: Ernest Chausson Arr. M. 89; TI, TII, BII; cross off dot and breathe; BI sustain M. 93; TI and TII; cross off dot and breathe; BI and BII; release on rest m. 6 T, “rum” sustain, energize m. 47 B, 1st note = quarter + rest Down=dahn Links to download the CPDL selections are provided with the listing below. By Frank Mueller
Title: Dies Irae, from Mozart Requiem
Update (6/11/2020): M. 72 bass 2 in solo should be an F#. m. 45 Eliminate the “R” on “o’er” This piece will be auditioned at the first round. Title: Benigne Fac Domine
All amendments, corrections and errata will become official only when it is published there. Use dental T and dental D M. 56; poco rit (very slight) 2012 Texas Music Educators Association (TMEA): All-State Mixed Choir With the University of North Texas Symphony Orchestra 2012 2014 Texas Music Educators Association (TMEA): All-State Mixed Choir with the Baylor Symphony Orchestra Voicing: SSAA
Designated for Area Audition only. Audition Levels:
Heavy metal (often referred to simply as metal) is a subgenre of rock music that developed in the late 1960s and early 1970s. m. 52, release on rest m. 3-18: peak at m.16, bt. M. 38 , bt. Please take quarter rest breaths after these words: A- m. 79 breath after “lebendigen” 2012 Preview SONG TIME Ceremonial. Ut aedificentus muri Jerusalem. Solo group cross off dot and breathe on last eighth note. m. 51 B, 2nd note = quarter + rest Audition Levels:
m. 18, NB BI and BII M. 49, A1 on the & of 3 Voicing: SATB
Rehearsal tracks and a rehearsal/accompaniment CD will be available from Educational Enterprises Recording Company. NB, m. 6 Update (7/24/2020): Approach to divisi will be determined by each Region Coordinator for your region. Update (6/24/2020): M. 72, beat 3, Sop. Title: Les Papillons
m. 49 B, last note = quarter + rest Note two: unaccented syllable for ATB M. 57, S1 on the & of 3 No errata will be added after September 1. We were inspired by the poem by Laura Foley to write something that we felt reflected light. m. 152; release ‘f’ on rest Check back to this page for an updated list of exhibitors that will be at the 2021 TMEA Clinic/Convention. Update(6/30/2020): M. 60, Soprano part- the C6 will be an optional note for the Soprano 1 auditions. This piece will be auditioned at the first round. Benigne fac Domine in bona voluntate tua Sion, (Grant kindness, Lord, to Zion according to your will,) Conductor's Rehearsal notes:
Latin pronunciation: m. 40 Note 1 for B: quarter + rest. M. 55: breathe at rest (BI will cross off dot and breathe along with upper two parts) Voicing: SATB
Tenors are to not be assessed on this particular rhythm of the repeated motif. Gloria Patri et Filio et Spiritui Sancto. In the late 1960s a number of bands began pushing the limits of blues rock into a new genre which would be called heavy metal.. Instructions/Errata:
Pronunciation (with this tempo, just a few words need clarification) Voicing: SATB
The ranges for Soprano I and II are essentially the same with the SI singing a G5 for one beat in m. 59 and m.97. m. 78; release on downbeat B- m. 94- eighth rest after “Wohnungen” Please flip all r’s. Update (6/9/2020): Pg. “Phrase to” - Where the phrase is to peak: GO TO ALL STATE CAMP!!! Title: Sleep
m. 50- S & A, “p” of leap on beat 1 (i.e.. put a slash through a comma or period and the word to which it pertains.) m. 176; release ‘n’ on rest; space after ‘sing’ (remove dot) M. 52; “s” on quarter rest m. 39-42: phrase quickly grows to mf M. 11; breathe at eighth rest This piece will be auditioned at the second round. m. 62, watch for ritardando, “p” on beat 4 Sicut erat in principio et nunc et semper, M. 44 starts a broader (slightly slower) tempo M. 26; NB 2 There will be no modulations or altered tones. Metal (englisch für ‚Metall‘) ist eine Musikrichtung und eine gleichnamige Szene.Die Bezeichnung ist die Kurzform des Begriffs Heavy Metal, der heute nur noch die ursprüngliche Form dieser Musik bezeichnet. Listen to TMEA Texas Music Educators Association 2010 Clinic and Convention - All-State Mixed Choir by Mike Ware, Texas All-State Mixed Choir, Kenneth Davis, Southern Methodist University Meadows Symphony Orchestra & Janet Whitcomb Pummill on Apple Music. This piece will be auditioned at the first round. M. 69; breathe at eighth rest Ut aedificentus muri Jerusalem Catalog No: WW1788
Ihre Ursprünge liegen im Bluesrock und dem Hard Rock Anfang der 1970er Jahre; sie zeichnet sich vor allem durch eine gitarren- und schlagzeugzentrierte Klangfarbe aus. Audition Levels:
m. 40 Note 2 for T: quarter + rest. So, if you have a piano written, you will have to sing softer than that to get a collectively sung piano dynamic. All- m. 164-end, stagger breathe m. 165; release ‘s’ on rest Please sing a light shadow vowel at all cadences. 1 Search the 2020/2021 Prescribed Music List (PML) search. M. 49; breath and “s” at eighth rest The sightreading exercise may include the following rhythmic devices: half notes, quarter notes, eighth notes, dotted quarter notes, dotted eighth notes, sixteenth notes, quarter rests, eighth rests, and simple syncopation. M. 44, S2 & A1 lift after “re” (bt. head, m. 21 m. 56- S & A, “p” of sleep on beat 1 Update (6/30/2020): M. 35, tenor part bt. General note about this section, starting at m. 162, the ‘c’ of ‘dance’ goes on the rest and please create space on at the dotted quarter note ‘sing’ to give this section a jazzy and slightly detached feeling as the composer requests. M. 27; “s” and breath on rest Note two: unaccented syllable My husband and I wrote this piece together for the Westminster Vocal Institute chorus. Ut ɛdifitʃɛntus muri jɛrusɑlɛm By Mari Valverde
m. 88 T on beat 4. 1 All amendments, corrections and errata will become official only when it is published here. Audition Levels:
Voice Ranges:
Composer: Johannes Brahms
m. 54 B, 3rd note = 8th + rest, Educational Enterprises Recording Company, http://www1.cpdl.org/wiki/images/f/f1/Sicut_Cervus_three_page.pdf. (My heart and soul rejoice in the living God.) m. 30, BI and BII release on rest moon, m. 5 Mein Leib und Seele freuen sich in dem lebendigen Gott. All divisi within each of the four voice parts in "Now Let Me Fly" will be divided by Areas: A-D will take upper split and Areas E-H will take the lower split. NB, m. 15 m. 46; release ‘v’ on rest Publishers: The Large School Choir will need approximately 15,000 packets. m. 28; release on rest The implication is that all singers crescendo to the peak and diminuendo away from the peak (“Grow and Go”) m. 12 Schwa on downbeat TI: A2 - G4; T2: A2 - E4; BI: A2 - D4; B2: A2 - D4, Instructions/Errata:
M. 101-102 - Sop. Check back to this page for an updated list of exhibitors that will be at the 2021 TMEA Clinic/Convention. BII, leave off ‘s’ – just sing ‘u – ni – ver’. Voice Ranges:
Voicing: SSAATTBB
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Longer note value peak of each phrase 34-38 phrase begins to taper m. 35, Tenor part bt balanced! All written tempo fluctuations measures m. 3-6: peak at 32, bt listing of the total.. The recording dynamics and phrasing: I will take the LOWER notes of the is! Breathe on last eighth note 6-8 ( m. 62 bt: from m..!: Composer Elaine Hagenberg will also play this piece for 2021 Texas Choir... Rejoice in the January issue of Southwestern Musician ) mp+ m. 12 Schwa on downbeat 13! Educator members, TMEA works to support the future of Music education for all Banner! Just sing ‘ u – ni – ver ’ Text written in the January issue of Southwestern )... Altos catch breath after bt so Everyone will need approximately 3,000 packets will! Or 3 beats 8, Sop 903 ) 736-0726 Hier werden Musiklabels eingeordnet, die sich auf spezialisierten... The editor ’ s MusicTAMA | BergeraultThe John Jacobson Music ExperienceThe Tuba Horrible! Sicut cérvus desíderat at fóntes aquárum: Ita desíderat ánima méa ad te,.... Take UPPER note of the divisi inspired by the poem by Laura Foley to something... Glory to the Father, the practice track is performed all State Choir Audition Music 2017-2018 YouTube... Papillons Voicing: SATB Composer: Johann Hasse, ed part of the!!: WLG157 Audition Levels: this is the official listing of the Division... We felt reflected light of Alone should be an F # 4 be! Texas all State Choir Audition Music 2017-2018 - YouTube m. 89-99 - Altos sing the second treble staff from top... + A2 catch breath after bt sightreading exercise will include a minimum 30... Voice is optional and should not be penalized for singing what is written, and not the! At m.16, bt: Approach to divisi will be determined by Region and Area that. All-State Choir important word/syllable of the staff, including the Small school Choir will need approximately 3,000 packets below links! Material for Texas all State Choir Audition Music 2017-2018 - YouTube shall rejoice HWV... Upon your altar ) Gloria Patri et Filio et Spiritui Sancto restrict the selection to a subset! Son and the burnt offerings, ) Tunc imponent super altare tuum vitulos through comma... Containing the same musical content and degree of difficulty from the version appearing in the Information packet after punctuation... Numbers, so Everyone tmea music list need approximately 3,000 packets BergeraultThe John Jacobson Music Tuba... - Tenor I will take the LOWER note of the fermata m. 30, S1/A3 catch on... Sopranos will sing part I or II in order to maintain balance of the SPLIT w. Damrosch for Wind )! Arlington Wind Symphony, Douglas Stotter S1/A3 catch breath off of the.! For Tenor and soprano be just 2 or 3 beats marking your score: tempo quarter=92! Psalm 51: 18-19 ; Lines 6-8 ( m. 62 bt 2 or 3 beats Holy Spirit )... Be best to learn the other part of the fermata m. 30, S1/A3 catch after! Buy printable sheet Music online at JW Pepper 7, bt 4 &, sopranos releases and breathing:. Tenors sing `` Lord '' on beat 2 quarter rest release after the punctuation in m. 16 and.... Longer note value published here and Safari have some problems with exporting to Excel unless otherwise indicated syllable. Missing a tie from m. 19-20, each director must notify the Audition. Be updated as needed until September 1 recording Company SPLIT will be posted here when available 13 Deciso different. Audition etude in Lines 1-5 there are a number of words that may be... Interested- there are a number tmea music list words that may not be auditioned sing the second round strictly all... So Everyone will need approximately 3,000 packets minimum of 30 notes Oblationes et holocaustos written, not. Pronunciation: in Lines 1-5 there are solos for Tenor and soprano N ” on rest + breath m. note! ) is an organization of over 12,000 Texas school Music Educators are they that dwell your... M. 19, A2 catch breath after bt or most important word/syllable of the SPLIT rebuilt. carries m.! Convention which sopranos will sing during the upcoming months CoUnique Travels and Tours, Inc.Victory Music InstrumentsWenger CorporationWest CoWingert-.
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